Showing posts with label haim. Show all posts
Showing posts with label haim. Show all posts

Sunday, 29 September 2013

HANKERING FOR HAIM: DAYS ARE GONE

As the title suggests, I've got a hankering for Haim.
I've had a hankering for them way back since I first heard them on Radio One mid 2012.
But let me explain to you why that is.
As  a 17 year old girl who hails from Derby, England's go to place for well... nothing,
except a nice big lake, some rather large hills and perhaps the odd Bakewell tart, Haim are like goddesses to me, what with their long sun kissed manes, irresistible Californian quirk and undeniable cool girl auras. 
They come from California, I come from Derby, they have sun spun tales of love
 and heart break all set against the backdrop of west coast USA, and if I tried capturing the essence
of the Derbyshire Dales, we'd have abstract sheep noises fused with football chants and who wants to hear that?

You look at them, and you want to be them.
You want the hair, the cool girl swag, the talent, everything.
Heck, I've even suggested to my little sis that we do a Haim and make a band and grow our hair out and make some songs and just be quintessentially cool like them.
But alas, she said no.
And anyway, it's not like we would be much competition, would we?
Because these girls are utterly fabulous, they're a force to be reckoned with, and when you stop to think about it, just as I did on my early morning trek to college, it's actually rather incredible what
they've achieved and just how they've gone about it.


Now I'm not trying to go off on a feminist rant, but in the present day music industry, lets face it, if you're a woman, you aren't going to get very far without taking your kit off and doing a 
spot of twerking or gyrating.
It has to be sexualised, it has to compromise on your dignity, your strength, your independence.
Your aesthetic is more important than your talent, it undermines it & overshadows it 
to the point where people are talking about the dress you wore (or didn't) as opposed to your integrity as an artist. 
You can claim all you like to be strong, fearless, feisty, but the reality is,
when you're standing on a stage in just your bra and pants or diamond encrusted swimming cozzie,
no matter how fabulous your body, who's really believing you?

I'm not criticizing female artists who do that, but it seems a shame that
 in this day and age, female artists have to resort to these measures to even be heard, let alone taken seriously as an artist. It isn't right.

And now back to the whole point of this article, that's why I love Haim.
 Because these are three girls who keep their clothes on, and through their sheer talent and feisty natures alone, have successfully managed to carve out a name for themselves and gain respect from the music industry's notorious top dogs.
For example in the predominantly male orientated NME, Haim, who are currently gracing the front
cover, more than hold their own against their male opposition and they are respected and revered by both NME and fellow artists, and that's really saying something.


No-one dares bad mouth them and why should they?
These girls are incredible at what they do. An all female rock band who make quality music without
taking their gear off and all whilst radiating that fearless, no bullshit vibe that challenges
 anyone to mess with them and what they do so fantastically well. 
They care about their music, they care about their craft and they've been harnessing their skills their whole lives, having played in their parents band for years.
It's all about the music, not the aesthetics, and surely that's how it's meant to be?

They're feisty females and loyal sisters who stand their ground in a male orientated world,
they've gone to town with the seemingly unachievable task of a being the first all woman band, not pop group, to be taken seriously by the music industry, and they've done it all with
a confidence and assurance that I wish I had myself, as well as a glorious long mane of hair pretty please.

And now, on the eve of the release, of the long awaited debut 'Days Are Gone', I hope that
we will be listening to and writing about these ladies for many years to come. 
They're brilliant now, but as time goes on they're going to evolve and develop their sound and become even more of a force than they are right now. 
They can only get better, and with that, here's to Haim.
Doing rock the right way, with long hair, snarls, epic guitar, Californian grace
 and your sisters right by your side.


DON'T SAVE ME

THE WIRE

FOREVER









Sunday, 16 December 2012

THE FORGOTTEN BEAUTIES

So I gave you a brand new playlist update yesterday, oh yes, and I think it's safe to say there were some corkers on there. Personally, I have been quite taken by Haim- what beautiful music!- and I think I'll be departing on a voyage of Haim's back catalogue within the next coming days and you're all free to join me.
Now the reason for this next post is because in the 24 hour period between this post and the last post, I have discovered a few more beauties/ corkers/ whatever adjective floats your rowing boat and I just couldn't wait till my usual update day to tell you about them.
I have the patience of an atomic bomb. ie, it really isn't that long.
So I'm going to get stuck in there....

1) FOREVER BY HAIM 

I really don't know how it's possible not to like this song. It's so simple and laid back  constructed using a classic formula and yet it sounds so unique, new, original. 'Forever' has you questioning why there is such a strong force pushing music into dubstep/ electronica, why does a song need a dubstep influence in order for it to make an impact, in order for it to be classed as 'good', in order for it to sell. I understand that for some artists, it enhances their music and they have the ability to use dubstep and electronic mavericks well, but when it's used by a pop artist, on a pop song, you can't help question why? Was there any need?
Because the Haim sisters are showing that there's still life in the stripped back approach to music, where all you need are a guitar, a beat and a voice.
I for one am happy that somewhere out there, we have a complete polar opposite to the current dubstep/ electro/ techno reign. I fully support the new approach to music where we can achieve all these wonderful, unique, extra terrestrial sounds and mash them all together to create music that seems to be delivered from another stratosphere or existence. 
But deep down I'm a guitar and vocals kind of girl; I love the 'sit down with a guitar and let yourself go' approach, and that's what Haim embrace, it's what they're about, and they do it so well.
It's a familiar, nostalgic kind of pull and yet it's so new and refreshing.
So jump on the Haim bandwagon now because I promise you, you won't regret it.

2) STAY BY RIHANNA FT MIKKY EKKO

Following on from what I said above, can you understand how excited and relieved  I was when I heard Rihanna's new song, 'Stay'? In this day and age, we are inclined to expect a new Rihanna track once a month, every month and I don't know about you but I can only take so many 'Only Girl In The World's or 'We Found Love's before I want to tear my hair out in frustration. It all sounds the same, it has no meaning, no soul, just manufactured pop that follows the same formula every single time
As Rihanna's success evolved to meteoric heights, her approach to music changed along with it.
We used to get a mixture of pop, soul, R & B, hits like 'Unfaithful', 'Umbrella', 'Take A Bow' and the pop records only dabbled in electronica and to great effect, as seen in records like 'Disturbia'.
But somewhere along the line, Rihanna lost the soul and R & B and embraced pop and that was when Rihanna the artist became Rihanna the brand. An individual to a creation that is shoved in front of your face wherever you may go, or blasted into your ear drums on an all too regular basis.
I missed the old Rihanna, the Rihanna with soul, self-respect, innocence, the Rihanna who didn't need the provocative clothing or over produced dance tracks to be successful.
Where did she go?
Well I'm pleased to say she's wasn't erased completely, no, that Rihanna was still there and I don't know if this is a one off but anyhow, we finally have that Rihanna back, at least for now.
Her new song 'Stay' is the epitome of soul, emotion, feeling, passion; a slow ballad with vocals that ache of experience, longing, truth. Each line has meaning and the slow tempo means the message is delivered to the full extent. This is a record you can take something away from, it strikes a chord within, it resonates with you.
Unlike 'SNM' where one can't really relate to being whipped with a chain, 'Stay' relates to anyone who has ever loved another, and I think almost everyone can hold their hand high to that.
  This is a song worth hearing.

3) KARMAGEDDON BY DOT ROTTEN
http://www.youtube.com/watch?v=g4RHabjap-s

Now here is an example of when dubstep and electronic/ techno is used properly.
In 'Karmageddon', artist Dot Rotten uses those beats as they were meant to be used, he adds to his vocals so that the message they are singing translates, he mixes in swirls and waves of electronic riffs to add power to the song. It just works so well. And it's refreshing to hear a rapper with vocals about world peace and honest love instead of the many Jag's and Lamborghini's in his crib or the 'hoes' he's got falling at his feet because he's just that cool, standing there with wearing a thick, luminous gold chain, trousers sliding down past his designer knick knacks.
'Karmageddon' is a fantastic song firstly for the musical technicality and the way it's used to build up the song in to something magnificent and secondly, for the lyrics that actually mean something.
Combine them together and you have a real corker of a song.
Dot Rotten isn't a well known rapper, he's best known for hits like 'Overload' and 'Are You Not Entertained' that were taken on board and broadcast by Radio One to successful acclaim, namely being hailed one of the best new artists in 2011.
He's talented in the way he can create a catchy hookline, match it with the perfect beats and accompany the two with lyrics of substance. Plus he has a name that plays on the infamous and beloved 'Dot Cotten' from classic soap EastEnders.
Dot Rotten hasn't had his true breakthrough moment yet, but with songs so good, surely it can only be just around the corner? Every song he releases is snapped up by Radio One, winning him a series of new fans every time, and each song is slightly different but with the same Dot Rotten blue print re-worked into something new. I for one don't know why he hasn't made the big time yet, but with every song being such a corker ( it's the word of the day), it can only be a matter of time before one of his fabulous creations blasts onto the bigger scene and sends seismic rolls across the land.
And like the title suggests, I think karma just might play in his favour.

Saturday, 15 December 2012

PLAYLIST FIVE- DECEMBER GOODS

I'd like to apologise for the lack of posts recently, college work is a pain in the butt quite frankly, but here is the latest playlist installment, ready for you to enjoy. It's a real mix up with the number one spot being occupied by a rather addictive 'Mercy' and a certain X Factor winner making a suprising entrance,
all accompanied with a one line verdict & You Tube link.



1) MERCY BY KANYE WEST FT BIG SEAN, PUSHA T & 2 CHAINZ
"Fantastically addictive with a catchy hookline and brilliant guest artists. Very well constructed song."


2) AMBULANCE BY MY CHEMICAL ROMANCE
"Wow. A spectacular affair with inspiring vocals and lyrics, a truly great unheard record. Go listen now"


3) IMPOSSIBLE BY JAMES ARTHUR
"The one winners single that actually stands alone as a brilliant record in it's own right"



4) LEFT & RIGHT IN THE DARK BY JULIAN CASABLANCAS
"Echoes of  Julian's band The Strokes but ultimately a very Julian Casablancas lead affair. It's wonderful."


5) HUNSTANTON PIER BY DEAF HAVANA
"A guitar lead nostalgic ode with beautiful vocals and a powerful emotional undertone."

6) OVER BY DRAKE
"It's verging on a classic, well worth re-listening too if only to realise why Drake has made it so big."

7) ALONE IN OUR IDEAS BY MUTINEERS
"A great new Manchester bred band with a sound reminiscent of The Smiths, highly recommend a listen"


8) DON'T SAVE ME BY HAIM
"Three Cali sisters making beautiful Cali music: laidback, sunshine infused, classic. Real good stuff."


9) BEST OF FRIENDS BY PALMA VIOLETS
"The new breed of guitar band, embraces the spirit of a punk-rock clash in a interesting way, works well"


10) SWIMMING POOLS BY KENDRICK LAMAR
"The new King of the West Coast has a real talent at creating addictive mash ups of sounds, vocals & beats"


YOUTUBE PLAYLIST: