Showing posts with label american. Show all posts
Showing posts with label american. Show all posts

Sunday, 29 September 2013

HANKERING FOR HAIM: DAYS ARE GONE

As the title suggests, I've got a hankering for Haim.
I've had a hankering for them way back since I first heard them on Radio One mid 2012.
But let me explain to you why that is.
As  a 17 year old girl who hails from Derby, England's go to place for well... nothing,
except a nice big lake, some rather large hills and perhaps the odd Bakewell tart, Haim are like goddesses to me, what with their long sun kissed manes, irresistible Californian quirk and undeniable cool girl auras. 
They come from California, I come from Derby, they have sun spun tales of love
 and heart break all set against the backdrop of west coast USA, and if I tried capturing the essence
of the Derbyshire Dales, we'd have abstract sheep noises fused with football chants and who wants to hear that?

You look at them, and you want to be them.
You want the hair, the cool girl swag, the talent, everything.
Heck, I've even suggested to my little sis that we do a Haim and make a band and grow our hair out and make some songs and just be quintessentially cool like them.
But alas, she said no.
And anyway, it's not like we would be much competition, would we?
Because these girls are utterly fabulous, they're a force to be reckoned with, and when you stop to think about it, just as I did on my early morning trek to college, it's actually rather incredible what
they've achieved and just how they've gone about it.


Now I'm not trying to go off on a feminist rant, but in the present day music industry, lets face it, if you're a woman, you aren't going to get very far without taking your kit off and doing a 
spot of twerking or gyrating.
It has to be sexualised, it has to compromise on your dignity, your strength, your independence.
Your aesthetic is more important than your talent, it undermines it & overshadows it 
to the point where people are talking about the dress you wore (or didn't) as opposed to your integrity as an artist. 
You can claim all you like to be strong, fearless, feisty, but the reality is,
when you're standing on a stage in just your bra and pants or diamond encrusted swimming cozzie,
no matter how fabulous your body, who's really believing you?

I'm not criticizing female artists who do that, but it seems a shame that
 in this day and age, female artists have to resort to these measures to even be heard, let alone taken seriously as an artist. It isn't right.

And now back to the whole point of this article, that's why I love Haim.
 Because these are three girls who keep their clothes on, and through their sheer talent and feisty natures alone, have successfully managed to carve out a name for themselves and gain respect from the music industry's notorious top dogs.
For example in the predominantly male orientated NME, Haim, who are currently gracing the front
cover, more than hold their own against their male opposition and they are respected and revered by both NME and fellow artists, and that's really saying something.


No-one dares bad mouth them and why should they?
These girls are incredible at what they do. An all female rock band who make quality music without
taking their gear off and all whilst radiating that fearless, no bullshit vibe that challenges
 anyone to mess with them and what they do so fantastically well. 
They care about their music, they care about their craft and they've been harnessing their skills their whole lives, having played in their parents band for years.
It's all about the music, not the aesthetics, and surely that's how it's meant to be?

They're feisty females and loyal sisters who stand their ground in a male orientated world,
they've gone to town with the seemingly unachievable task of a being the first all woman band, not pop group, to be taken seriously by the music industry, and they've done it all with
a confidence and assurance that I wish I had myself, as well as a glorious long mane of hair pretty please.

And now, on the eve of the release, of the long awaited debut 'Days Are Gone', I hope that
we will be listening to and writing about these ladies for many years to come. 
They're brilliant now, but as time goes on they're going to evolve and develop their sound and become even more of a force than they are right now. 
They can only get better, and with that, here's to Haim.
Doing rock the right way, with long hair, snarls, epic guitar, Californian grace
 and your sisters right by your side.


DON'T SAVE ME

THE WIRE

FOREVER









Sunday, 1 September 2013

EMINEM GOES BERZERK


Eminem is back, or should I make that Slim Shady?
Because the bleached blonde do is back, judging by the video to brand new release 'Berzerk',
and you only have to listen to the song itself to hear that Shady is well and truly back in town.

After a victorious headline slot at Reading & Leeds last weekend, Eminem went about
sneakily releasing 'Berzerk' from forthcoming album 'The Marshall Mathers LP 2', his eighth release to date. If there's any modern artist you could credit for longevity, Eminem is certainly a strong contender, 
and as his career continues to evolve, the love, admiration and respect from his fans continues to get stronger and stronger.

2009's 'Relapse' saw a new side to Eminem, as he confronted his demons and laid himself bare, admitting to his troubled past whilst inspiringly stating that he had overcome it. 
We saw bold, emotional, honest songs such as 'Love The Way You Lie' and 'Not Afraid', both of which have become firm fan favourites, whilst the Slim Shady persona was put to one side.


He managed to convert his demons into something positive.
Addressing all he had to fear meant that he produced music that was angry and heavy at times, yes, but
it was also incredibly honest, paving the way for others in a similar positing and showing that
no matter what your battle, you can overcome it.

However I have to admit that as much as I admired Eminem for his courage
and strength to overcome his own battles and become a better man, and as much as his songs inspired me and so many others, I did miss the witty humour of Slim Shady.
I found myself on numerous occasions wondering if we'd see the return of this iconic, infamous alter ego.
And I'm so, so glad to say that he is back, back again (bad pun).

'Berzerk' is literally out of this world amazing.
As in, I cannot comprehend to you through text just how good  this song is.
Eminem is back on form, he's just as good as ever, if not better, and when you listen to 'Berzerk',
you can't help but feel like the master is back and he's steering the hip hop/ rap genre into its next era.
Just like he did back in the late 90's, Eminem is exploring new territory again,
going where no man has ever gone before, and it is surely only a matter of time before everyone else follows suit.


This change, ladies and gentleman, is the introduction of rock, or at least some pretty
mean electric guitar riffs and that crazy, free spirit element of rock.
And it truly sounds phenomenal.
This is an artist who knows exactly what he is doing, who knows his chosen genre inside and out,
and is brave enough to push the boundaries time and time again and never seems to
get it wrong.

Sure in this day and age that are thousands of rappers,
perhaps to the point where it's slightly overwhelming, but the return of Slim Shady
quite literally blows them all out of the water. 
And as the title of the song suggests, you will most definitely go bezerk for 'Berzerk'.

'The Marshall Mathers LP 2' is out NOVEMBER 5TH 2013.


Monday, 19 August 2013

KATY PERRY AND LADY GAGA COMEBACK CLASH

Two Queens of Pop. Two comebacks. Two fierce new songs.
Two leaks in the same week.
Uh-oh....
So who comes out victorious?

KATY PERRY- ROAR
First up we have Miss Perry.
A firm favourite for her sharp sense of humour, lovable personality and fun, fierce, flirty brand 
of pop, Katy's comeback after the huge success of 2011's 'Teenage Dream' has been long awaited.
She's weathered a divorce and found a new romance in the shape of a certain
John Mayer, she's made movies, she's won awards... 

Yet as the 'Teenage Dream' phase was coming to and end, it's fair to say that Katy was in vulnerable and emotional place, as her brilliant and much deserved success was marred by a difficult and public divorce 
from comedian and actor Russell Brand. 
As she put it herself, she was 'falling from cloud nine', and it was this time in her life that inspired hits such as 
'Part of Me' and 'Wide Awake'.

However it's 2013 now, and having been able to close the previous chapter of her life and start afresh, pursuing a new romance and channeling her emotions and feelings into music, Katy, it appears, has never felt stronger. And that's exactly the stance she has chosen to adopt for album number three, 'Prism'.
Katy isn't the damaged, broken, vulnerable women anymore,
Oh no.
New single 'Roar' proudly declares the exact opposite.
It's a fierce, strong, defiant single that empowers anyone who listens to it.
It's written by a woman who's gone through the worst and come out at her very best.
She may be in a steady relationship, but 'Roar' suggests  a woman who is independent, wise, brave 
and with a steadfast refusal to be beaten, knocked down.
It's all very inspiring stuff and I am genuinely pleased for Katy.

I really do believe that this could be the most successful phase of her career, eclipsing the huge success of 'Teenage Dream' and why?
Because the music Katy is making now is personal, it's powerful, it's inspiring, and there is no doubt 
that Katy will be reaching out to an even bigger audience who can relate to and take
 something away from Katy's music.
She's an inspiring woman. She's taken the worst of her life and made it into something that will surely produce the best of her life. She's survived and  as she rightly declares, she's back with an almighty roar.




___________________________________________________________________

LADY GAGA- APPLAUSE

And next up we have a certain Gaga.
After exploding onto the pop scene in 2008 with 'Just Dance', Gaga has been creating
 a humongous stir, what with her insane, wacky, imaginative outfits and consistent stream of pop hits, many of which will most likely evolve to become true classics, for the last five years.

2008's debut 'The Fame' quickly gave way to 2011's 'Born This Way' and it seemed as though 
Gaga rarely had time to pause for breath. If she wasn't decked out in her Kermit collection or wrapped up 
in meat like a human sausage roll, she was releasing hit after hit, releasing award after award and making sure her presence on the music scene could not be forgotten.

And of course it wasn't, how could it be?
It takes a lot to forget a woman who's idea of casual is to go out in her undies, and whose preferred 
evening look is that of a bacon rasher.
However it has to be said that in this fifteen minutes of fame society, once the spotlight had shifted to the next biggest star, Gaga moved to the back of the queue and speculation began to build regarding how she could
top the incredible achievements she'd made with her first two albums.
Yet over the last couple of years, Gaga has taken a step back from the limelight and toned
herself down. She's fallen in love, she's found an identity that seems to sit just right- unique, different, slightly strange yet beautiful, strong, feminine- and she's been working away on
a new album, 'ARTPOP', which seems to be the album she's felt most passionately about. 
Gaga's undergone a transformation whilst retaining her key, core elements.
And the buzz is building once more.

Like Katy Perry, Gaga's new offering, 'Applause', leaked before it's release date,
with many genuinely curious to see just what Gaga had to pull out the hat this time.
And she's got a good'un alright. 
In comparison to her previous work, 'Applause' is perhaps not as strong, but it's catchy, it's
well made pop, and hopefully it is only a taste of what is to come.
Because knowing Gaga, this is probably not the best she has, oh no, she probably has
a magical array of incredible songs up her sleeve just waiting to be released to the world.

With 'Applause', you can't help but think that she has released it to satisfy the growing appetite of her fans and public for new music. And the leak was something she couldn't ignore, so she has been forced to release it and use the generated publicity to her advantage.
Had she had the choice, I don't think she would've made 'Applause' her first single, but seeing as the choice was taken out of her hands, she's done well to ride the waves and I cannot wait to see what she has yet to show us. 



___________________________________________________________________

SO WHO WINS?
Well there's absolutely no doubt that both will be greeted to much success with their respective releases,
however personally, based on their first singles, I believe it's a victory for Miss Perry in terms of her music.

She's entering what I believe will be one of the most successful phases of her career and I really do admire Katy for coming out the other side fighting strong. That will resonate with people most definitely.
So it's a victory for Katy right now.

But Gaga is most likely to sell a landslide, shedload and tsunami of albums and she will do incredibly well, of course. She deserves it. As does Katy, because ultimately, they are both strong, independent, admirable women who live and breathe their craft and each deserves every bit of success that comes their way.


PRISM- OUT 22ND OCTOBER 2013
ARTPOP- OUT 11TH NOVEMBER 2013

SOUND BITE: KINGS OF LEON NEW

-I've come up with a new feature called 'Sound Bite' which is going to be quick snippet on a new song that you need to listen to, so you can get your music fix quick and  whilst simultaneously being one step ahead of the crowd. How cool is that?! And the first soundbite is dedicated to.... Kings of Leon!-

KINGS OF LEON- SUPERSOAKER

So Kings of Leon are back with new release 'Supersoaker', off of eagerly anticipated upcoming album 
number six, 'Mechanical Bull', which is due for release on the 24th of September.
It's patriotic, it's got Caleb's croon, it's got heart, beats, guitars, the catchy hook line...it's everything you could want from Nashville's finest.


'Supersoaker' makes for a truly brilliant comeback for the quartet, who've taken a detour from the music scene after 2010's 'Come Around Sundown', which succeeded the euphoric success of 2008's 'Only By The Night' which produced hits such as 'Sex on Fire' and 'Use Somebody'. 

After initial doubt that 'Come Around...' could be their last album, after dispute and arguments within the band, KOL are back on fine form, and judging by 'Supersoaker', we're in for a real treat with 'Mechanical Bull', with the Followill family back on track, making the fantastic music that we've been enjoying for the last 10 years or so.



Wednesday, 14 November 2012

PLAYLIST THREE (EPIC AMERICAN ANTHEMS)

This week's playlist is to tie in with the 'Epic American Anthems' post which can be found here: http://teepotmusic.blogspot.co.uk/2012/11/epic-american-anthems.html
Here's my top ten favourites...

1) O' Sweet Child Of Mine by Guns'N'Roses

2) Livin' On A Prayer by Bon Jovi

3) More Than  A Feeling by Boston

4) You Shook Me All Night Long by ACDC

5) You Give Love A Bad Name by Bon Jovi

6) Poison by Alice Cooper

7) Paradise City by Guns'N'Roses

8) Highway To Hell by ACDC

9) Don't Stop Believing by Journey

10) Here I Go Again by Whitesnake

FULL PLAYLIST:

EPIC AMERICAN ANTHEMS

This week, the topic is American Anthems. Yes I know that as soon as you see those words, your mind automatically time travels back to the 80's when America ruled the rock anthem roost and it was all about those slick guitar riffs and powerhouse vocals and songs that seemed to have a life of their own. 
Yeah I get that, because trust me, I am exactly the same.

This is the exact scene I see in my mind (just imagine me in that car...)
If I close my eyes, I can see skies the colour of the Caribbean sea and I am driving a monster of a car down a highway that takes me through desert, towns, landscapes with those epic American Anthems blasting out of the car and my screeching voice accompanying them. 
That's what these Anthems do to you, they transport you to a place better than the reality you're living in.
Even as a teenager in today's day and age, I can fully appreciate the sheer brilliance and magic of these American Anthems. These songs are everything that is and was good about music and they have the power to ignite a spark within you, making you feel alive and invigorating that desire to go out and live.
Now who could say that about a Nikki Minaj song?

I know I wasn't even around to witness the era itself, but with my parents being very much into this genre, I have grown up with these songs and being a guitar player myself, I'm almost hypnotised by those guitar riffs that are almost compulsory in an American Rock Anthem.
I want to be able to whack out my guitar and spin those riffs and licks in the same ferocious and arrogant manner that those American Guitar Gods possess. I want to wow people in the same way they do, I want to put on one of those electrifying shows too, I basically want to be a rock star playing before a humongous 10,000 crowd like all the American greats.
And when I play just one of those anthems, I can imagine that, if only for a minute or two.
For the duration of those songs, I am on top of the world and I love it.


When I think of American Anthems and who was at the forefront, spearheading the songs that championed the era, I think of ACDC, Bon Jovi, Guns'N'Roses, Meat Loaf, Boston, Journey, Aerosmith, Poison, Alice Cooper as well as many more legends to whom I will always be grateful to. I've seen videos of those performances and these bands, they were masters of their art; they knew how to convey that power, they knew how to put on a show and they had the whole world eating out of their hands.


The artists who produced those American Anthems we still adore today possessed a type of talent that artists today rarely know how to access. I can't quite put my finger on what it is, but lets face it, you don't see many bands who have the capability to make an anthem, not just a song. 
We hear booming bass beats instead of spectacular guitar riffs, we hear auto tune instead of the majestic power of a well attuned and magical voice, we hear lyrics that make us want to live for the weekend and not for a lifetime. 
I'm not saying all artists are like this, gosh no, but the majority are, and it makes me sad to see that the magic of decades past just gets glossed over and packed into boxes to be stored in the depths of an attic, destined to be forgotten forever more. It's as if people have forgotten how to make music like this. 

 So I'm dedicating this article to the music of a time long gone.
This is for all those artists who made music that could only ever be described as EPIC in every sense and way possible
 These bands and artists, they make me believe that music was once something indescribable, it had an ingredient that you don't tend to see so much these days and it had the ability to create goosebumps and ignite sparks of life.

Those Epic American Anthems, they are like a lifeline to someone like me, growing up in this day and  age. Of course I adore some of the artists around today and I appreciate that the direction of music had to change and will continue to change for ever more, but I wish I had been able to witness these American Anthems for myself. I wish I had been around to be a part of the era, the moment, when these songs were dominating the radio airwaves, when they were released on vinyl, not CD's or downloads, when these artists were the ones with tour dates and crazy fans. 
If only I could go back and witness this epic moment of music history....
Oh well, at least music lives on forever.